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Posted at 04:46 PM | Permalink
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Yeah, when I was working at Tippett last year I used this meothd of switching back and forth between IK and FK several times. I find IK to be especially good when blocking in the arms where the wrists are close to the body (as they are when holing something close to the chest) and arms are bent. These poses are really hard to get with FK and you are constantly fighting the FK rig, counter animating rotations to get poses. With IK one simply moves the wrist and pole vector (or inverse twist) and you're done. Sometimes I would block in IK and then switch to FK so that I could make body adjustments and not have to tweak the IK poses.At Tippett, the way I would do it was by using the IK/FK switching script we had there. I would block in IK the main poses, then step pose by pose matching the FK poses with the scrip. Then I would switch to IK off and presto! Most times the FK would give me the arcs for free so polish was easier as well.
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